PAVEL SELDEMIROV
REGDRY
PSPROJECTA-B-CV01

A-B-C SURVIVAL

NAME

SUBTITLEA hermetic signalling system built with new media.

2015
RELEASE
MEDIUM
Participatory performance with a custom Android application (APK), smartphones and reproducible digital graphic-key files, which can be printed or adapted into temporary transfer tattoos, patches or other physical carriers. Interactive encrypted communication system. No sound.
STATE
NO LONGER ASSEMBLED · RECREATABLE ON SITE
RECORD
PSPROJECTA-B-CV01
REGISTER
OPENINDEXSOURCEDRY
NOT IN THE RECORD
DIMENSIONS · COLOUR · LOCATED · PROTOTYPE
A01 / Encounter / source documentation · WORK / INDEXVIEW ↗

A sign whose meaning depends on the version of the program.

02

A sign in a system

GRAPHIC KEY / PROGRAM VERSION

The need to invent a hermetic signaling system within a community arises whenever the community is inside a disciplinary system from whose gaze and actions it wants to evade, that is, directly indicative of a crisis state. Examples of such signaling systems were the ciphers of the early Christians, prison semiotic systems, and various cryptosystems that made the signal invisible and impenetrable. The emergence of a new signaling system within the existing one indicates the disciplinary nature of the latter and exposes the nature of space as a regime object.

A02 / Graphic keys / source sheetVIEW ↗
FIG. 01 / CONDITIONS OF READINGPROTOCOL, NOT A DECRYPTION
OPTIONAL CONDITIONSADDITIONAL GRAPHIC KEYSTIME OF READING
This is an explanatory model. It does not reproduce an actual graphic key or decoded message.
03

Conditions of reading

A MESSAGE IS CONDITIONAL

In the a-b-c survival project by means of new media, a signal system is created that allows making the values of symbols dependent on the version of the program, which becomes an additional condition for the correct reading of the message. The dynamism and interactivity of the mechanics allows not only to receive messages, but also to create more complex cypher-punk mechanics, where, for example, a message can be read only if there are several graphical clues or only knowing at what time the message is correct. Thus, there is an infinite field of combinations between the graphic sign and its decryption, protecting the cypher-punk community.

01 / SIGN

A graphic sign alone does not fix the message.

02 / VERSION

Its value depends on the program version.

03 / FURTHER CONDITIONS

Several clues or the time of reading may also matter.

A03 / Screen composition / source stillVIEW ↗
04

Graphic keys

FORM / CARRIER / MEMORY

The form of the graphic keys is not chosen by chance. On the one hand, it is a means of masquerading as birthmarks, affecting the “brotherly” context within the community. On the other hand, the use of territorial borders of disappeared states is a form of commemoration of memory in order to preserve the memory of the reasons that caused their disappearance.

SOURCE & MODEL

The source sheet and screen still document the work’s graphic language. The diagram above explains a dependency; it is not a decoded message or a substitute for the keys.

A COLLABORATIVE PROJECT BY
Alisa Smorodina, Alfia Miftakhudinova, Eugenia Suslova, Pavel Seldemirov, Gediminas Daugela
TEXT
Pavel Seldemirov
ARRIVEDPS / PROJECT / A-B-C / V01
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